by Benn Ray
So, I kicked off this year's Shank Year End Wrap Up by highlighting what I thought was one of this year's worst Best Of lists - Baltimore Sun's "Media Critic" David Zurawik's Best TV shows list.
I even begged the Sun to please stop insulting its readers' intelligence and pull his media column - not because Zurawik is a partisan hack (which he totally is - as this love letter of a column to one of the most ridiculous political leaders to ever be taken seriously - Sarah Palin - proves. Also witness his take on the crazy, hardcore, rightwingnut, John Birch Society sponsored CPAC - "CPAC has been called a pep rally for the hardcore right, but what I heard was more like a giant college classroom effectively teaching a counter-narrative of American history and shaping a new generation of conservative leaders."), but because despite another rich year of interesting television - the best show, according to him, was Men of a Certain Age.
Embarrassing, Z-Man, just embarrassing. It's a question of aesthetic, judgment and intellectual capacity - all of which Zurawik has proven himself to be deficient in.
But then, I guess when you seem to have a personal vendetta against one network (NBC) because you don't like the politics of a couple of their cable news shows, and that network tends to have some of the best TV shows on air, well, you're left scraping the bottom of the barrel to fill in ten slots of best TV (which would also explain your unironic inclusion of FOX News as some of the best TV of the year). Seriously - not one NBC show made Zurawik's Best TV List. I can't help but wonder if it's because Keith Olbermann voted him one of the Worst People in the World on his show? It sure seems that way, Z-Man.
So it just seems appropriate that I close out 2009 Shank's Year End Wrap Up with my own Best TV Shows of the Year list.
***BEST SITCOMS***
1. 30 ROCK (NBC) - Once again this show proves to be one of the smartest sitcoms crafted. It also is very aware of TV history and uses it to brilliant effect. For example, the episode which featured guest Alan Alda pulled a MASH reference/joke that simply blew my mind, not only because it had the balls to make such an old and obscure reference, but because I still had the recall to immediately understand the reference - which also serves as a testimony to the lasting greatness of one of televisions all-time great TV shows, MASH. And so it goes with 30 Rock - smart, and chock full o' TV history, but it is also funny. Very, very funny.
2. BORED TO DEATH (HBO) - Each episode of this new HBO series got funnier and funnier as the show found itself. Based on a short story by Jonathan Ames - it's about a writer to decides to become a non-licensed private detective. And I can say as someone who loved Cheers dearly, this may be the best role of Ted Danson's career.
3. COMMUNITY (NBC) - Finally, I've been waiting to say what I'm about to say. I can tell you now, yes, Chevy Chase is funny again. This sitcom is about a group of students at a community college. I've always been under the impression that most community colleges are 2 year schools, and we're almost done with season one. So, one assumes that the entire cast will need to be replaced at the end of season two, but maybe not all community colleges are 2 year schools? Either way, a very funny cast of students and faculty - my only gripe is they don't really expose and ridicule the cesspool of conservative thought that festers at most community colleges. Well, maybe next season.
4. PARKS & RECREATION (NBC) - This show has finally moved away from its Office-clone origins and has created its own dynamic - one that allows for the talents of Amy Poehler to shine.
5. THE OFFICE (NBC) - Surprisingly, still going strong. No matter how often I might think I'm sick of Pam and Jim, or Dwight or Michael Scott, as soon as the episode starts, the show manages to convince me that I am not at all tired of these characters.
HONORABLE MENTIONS: These shows get honorable mentions because while I only just discovered them this year, I don't believe what was being aired in America were episodes that originally aired in 2009 in the UK.
THE MIGHTY BOOSH (Cartoon Network) - This show will go down as one of the greatest cult comedy tv shows of all time. It ranks up there with The Lost Ones, Monty Python, Kids in the Hall and Mr. Show.
THE IT CROWD (IFC) - This BBC Show has already had a failed attempt at an American translation. It concerns a small IT department of questionable skills for a company of questionable quality in the UK. There is some crossover between The Mighty Boosh and The IT Crowd in terms of cast too.
***BEST HOUR LONG DRAMAS/ACTION SHOWS***
1. TRUE BLOOD (HBO) - Okay, there's a whole fucking world of monsters fighting with each other here. Vampire wars. Shape-shifters. Some kind of ancient goddesses. Witches. True Blood plays out like a really good Vertigo comic - and it does so with self-awareness, social relevance and humor.
2. MADMEN (AMC) - Okay, I know a few people had unnecessary hysterical fits (the Zurawik crowd) over microscopic inaccuracies in the Baltimore episode (I call them Baltimoaners), but for style, for a fascinating look at our past, for compelling characters, Madmen still has it. I love visiting this world one hour a week.
3. BEING HUMAN (BBC) - Trying to explain the premise of this show was almost enough to make me put it in my guilty pleasures category, but really, I just don't feel guilty about enjoying this show concerning 3 roommates - a vampire, a werewolf and a ghost. See, sounds ridiculous, doesn't it?
4. BIG LOVE (HBO) - Even though I find myself constantly and suspiciously questioning this show's agenda, I couldn't help but enjoy the self-inflicted complexities of Mormon life. (Caveat: the 2010 season has been, to date, wildly uneven.)
5. THE PRISONER (AMC) - Weird. Paranoid. Strange. Based on a beloved oddball cult classic. This AMC mini-series had every right to suck and instead was quite good. In my mind, largely due to its use of soundtrack, I think of it more as a remarkably appropriate retelling of Brian Wilson's fantastic album Smile.
***BEST NEWS/INFOTAINMENT SHOWS***
1. THE COLBERT REPORT (Comedy Central)
2. THE DAILY SHOW WITH JON STEWART (Comedy Central)
Colbert is still a fearless comedy juggernaut. And Stewart regularly helps contextualize the absurdism and hypocrisy that is today's American political environment. Even though these are fake news shows, they still carry more cultural weight than some network news shows. Frequently, a Colbert or Stewart mockery will find it's way back into the mainstream media and it can disarm bogus rhetoric quicker than hours of he said/she said partisan bickering on real news shows. (Caveat: The Daily Show is off to a rough start this year - it seems to be a bit to preoccupied with eating its own instead of mocking the ridiculous bullshit of political obstructionists. One gets the feeling that Stewart resents being lumped in with the likes of Olbermann and Maddow and is lashing out to make his point.)
3. THE RACHEL MADDOW SHOW (MSNBC)
4. COUNTDOWN WITH KEITH OLBERMANN (MSNBC)
Still the best answer to right wing media. Maddow is quite smart. And Olbermann is quite passionate. Together they make for a very solid 2 hour block of daily television. Maddow's work alone last year on The Family deserves an award for shedding light on a shadowy, nefarious religious organization that has reaches not only into our halls of power, but helped inspire legislation in Uganda that would, if passed, mean executions for gays. And if not for Maddow's show, this legislation would have most likely passed in Uganda.
5. REAL TIME WITH BILL MAHER (HBO) - While I still find him trying at times, and frequently more problematic than helpful - I got into the habit of watching him during the 2008 election season, and it still carried over a bit this year. His show is only as good as his panel of guests though.
***BEST HOUR LONG MUSICALS/COMEDIES***
1. GLEE (FOX) - It's a fun, funny, witty and surprisingly entertaining high school musical. Think Cop Rock meets Welcome Back Kotter. Okay, not really. But as much as I dislike musicals, this show works, and works really well.
2. PUSHING DAISIES (ABC) - It's cancelled now. Nothing as good and as weird as
Pushing Daisies could last very long. It was almost as if Tim Burton decided too make a TV show.
Pushing Daisies was a curious fairytale of a show involving a pie maker with the ability to reanimate the dead with a touch, his detective friend who brought him on cases, his reanimated childhood love (who he can't touch again lest he undo his reanimation), a waitress who loves the pie maker and an oddball cast of passers through. When this show was good (and almost every episode was good), it was like watching magic.
***BEST REALITY SHOWS***
1. HOARDERS (A&E) - I love this show so much, I made a drinking game for it. Rachel & I have been evangelizing this show so frequently, our friends now think of us as "The Hoarders People." Hoarders is a trainwreck of humanity that will not only have you eyeing your neighbors suspiciously, but it will have you looking at yourself, wondering, "Am I a hoarder?" I found an easy answer for that - is there trash - empty food wappers/containers in your clutter? If so, you might be a hoarder. But more than just voyeuristic enjoyment, Hoarders actually helps us understand the that hoarding isn't really just the result of lazy slobs, but it is a type of OCD gone awry.
2. TOP CHEF (Bravo) - This is an excellent cooking competition show that just never seems to get played out. And this year, the Volt Brothers vs. Iron & Wine (as I called them) competition was great. Who needs ridiculous personalities when you have real chefery going on. (Yes, I just made up the word "chefery".)
3. NO RESERVATIONS (Travel Channel) - Bourdain's Baltimore episode set off a flurry of whining Baltimoaners. Whatever. Hands down the most enjoyable traveling/eating show on tv. Bourdain has a unique voice when it comes to travel and food, and it's a voice that I largely agree with.
4. DEADLIEST CATCH (Discovery Channel) - I really didn't think this Alaskan crab fishing show could still remain fascinating this many seasons in, but the fact that it does is a testament to not only the job these fisherman do, but their character as well. Goodbye, Cap. Phil Harris. You will be missed.
5. I SURVIVED (Biography) - I'm not sure how I stumbled on to this show, but I did. And I was completely compelled by these people's stories of survival, told honestly, and without ridiculous reenactments. But then, 3/4 of the way through the season, I just couldn't take anymore - it was too real. Too powerful. Rarely has a TV show had that affect on me.
***BEST GUILTY PLEASURES***
1. CHUCK (NBC) - It's pretty much The Man Fron U.N.C.L.E. meets Clerks. Nothing too profound, just a likable tech dork turned spy who falls in love with one of his handlers.
2. EUREKA (SyFy) - This has been an ongoing guilty pleasure of mine. It's not a good show. And it's frequently extremely formulaic. But the actors/characters are so damn likable. It's sort of like Northern Exposure if it was set in a town made up of super-scientists.
***WORST TV-SHOW TREND THAT IS MY DEFAULT SETTING***
GHOST HUNTING SHOWS (just about every damn network) - There are a lot of ghost hunting type shows on TV nowadays. Really. A lot. Too many. And everyday it seems like there are new ones popping up. And at this point, they're all so goddamn similar, I can't keep any of them straight (and there's really no point in trying). And they've become my default TV setting. What I mean is, when I want the TV on but I'm not paying attention to it, maybe while I'm working or something, y'know, as sort of background noise, the first type of show I look for is any sort of ghost hunting show. The shows aren't good. They usually involve some goofballs in an abandoned building freaking out about some noise someone off camera made. But every once in awhile you'll see some guy in the middle of the night floating in a haunted lake inside a pentagram while his compatriots are back on shore inside a sphere of protection. Or perhaps you'll see a full team investigation of a house whose occupants are confused that they're being haunted only to discover by episode's end that one of their friends tried to summon a shadow demon at the house one time for kicks but that they neglected to tell the ghost hunters. Peh. Everyone knows you do not try to summon shadow demons for kicks. Dumbasses. Anyway - these shows are all bad. There are too many of them. But damn if I don't love to have them on in the background while I'm doing other stuff.
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Over the last several
weeks, we had been posting Year End Wrap Up lists from our
friends, readers, and regular Shank contributors. So is the last of those lists.